In my previous post re LAN traffic at the University of Venice, I just realized a mistake I'd made. (Funny how time plays with your memory.) The entire university was NOT one giant collision domain! When I first started working there the university was spread-out in temporary offices all around the city; a new campus was under construction. So, many of the departments were linked by routers and ISDN lines. The problematic LAN was limited to the departments/buildings that were directly linked to the main computer center. Still, this was enough users that those departments' Novell servers showed enormous statistics for lost packets.
And, of course, my primary point still remains -- that switches rendered moot the old argument about NIC design.
Friday, September 19, 2008
Sunday, September 14, 2008
The forgotten historical effect of switches
I had a funny little chain of thoughts the other day. I was thinking about how my office's Ghost software (which we use to do disk imaging across the network) uses an old-style packet driver for the network boot disk. Most of my younger counterparts have never seen anything like it, but these drivers used to be quite common. I can remember configuring them for the various DOS-era networking clients waay back in the 1990's. Thinking about this also reminded me about how much effort used to go into designing networks so as to minimize collisions.
I used to work for the University of Venice (Italy!) and their entire campus was setup as ONE big collision domain -- every building was tied directly together and everyone had trouble with lost connections... imagine :-) At the end of my stay there, I suggested to the IT Center that they install a switch at the central hub. At the time, this was considered an extravagance. I explained to them how I'd been going around to all their Novell servers, upgrading the LAN drivers to make them more resilient to ethernet traffic. I think they subsequently used my suggestion ("Our American consultant said...") to justify the expense and I'm sure it was well worth it. Now, of course, switches are The Standard and it's hard to find an old-style dumb hub, and consequently there's no cost premium for it. (P.S. I'm assuming my reader already knows the difference between a hub and a switch?)
Well, the final thought I had was about the problems we used to deal with on hubs. First of all, there was a lot of research into how many workstations you could group together before you started getting more collisions than proper traffic. At the time, 17 workstations was considered the ideal maximum, above that number the percentage of collisions (and rebroadcast attempts) started to climb rapidly. One vendor that seemed prescient about this was 3Com. At first, they were pilloried for the design of their NICs because the hw didn't do any collision detection. Instead they relied on their sw driver to detect it. As long as there were relatively few collisions, this design was MUCH MUCH faster. But on a traditional hub-driven LAN the 3Com cards ended-up CAUSING more collisions since they didn't 'back off' as quickly.
Nowadays, every NIC vendor uses the 3Com-type model since switches have eliminated collisions. So the whole 17-workstation-max, avoid-bad-LAN-client-3Com-NICs advice is just so much ancient history.
I used to work for the University of Venice (Italy!) and their entire campus was setup as ONE big collision domain -- every building was tied directly together and everyone had trouble with lost connections... imagine :-) At the end of my stay there, I suggested to the IT Center that they install a switch at the central hub. At the time, this was considered an extravagance. I explained to them how I'd been going around to all their Novell servers, upgrading the LAN drivers to make them more resilient to ethernet traffic. I think they subsequently used my suggestion ("Our American consultant said...") to justify the expense and I'm sure it was well worth it. Now, of course, switches are The Standard and it's hard to find an old-style dumb hub, and consequently there's no cost premium for it. (P.S. I'm assuming my reader already knows the difference between a hub and a switch?)
Well, the final thought I had was about the problems we used to deal with on hubs. First of all, there was a lot of research into how many workstations you could group together before you started getting more collisions than proper traffic. At the time, 17 workstations was considered the ideal maximum, above that number the percentage of collisions (and rebroadcast attempts) started to climb rapidly. One vendor that seemed prescient about this was 3Com. At first, they were pilloried for the design of their NICs because the hw didn't do any collision detection. Instead they relied on their sw driver to detect it. As long as there were relatively few collisions, this design was MUCH MUCH faster. But on a traditional hub-driven LAN the 3Com cards ended-up CAUSING more collisions since they didn't 'back off' as quickly.
Nowadays, every NIC vendor uses the 3Com-type model since switches have eliminated collisions. So the whole 17-workstation-max, avoid-bad-LAN-client-3Com-NICs advice is just so much ancient history.
Monday, September 1, 2008
Is Rock music Male?
I had to work late the other night and I passed the time by blasting Boston's classic debut album at full-volume. When it was over I realized how much connection I'd felt to the music and the thought occurred to me that I'd been enjoying 'guy' music. But was there such a thing? Could any kind of popular music really be classified as male or female? There are plenty of great female rockers and most of my favorite singers are female. So it seemed silly to classify Rock by gender. Yet the feeling remained, that Rock Music was male. Could I justify that feeling? I could probably Google the idea and find a bunch of dissertations with long complicated explanations. But I'm sure I can write something comparable in an hour (or three) ...
First of all I had to figure-out what I meant by Rock Music. I've always heard that Rock was invented in the 50's with the introduction of "Black" musical themes to "White" pop music. But I've never felt any real connection to that early music. So I think it was more of a transitional style, as musicians experimented and slowly evolved a more 'pure' form of this new music. I may piss-off the piano players out there but I think a modern definition of Rock has to have the electric guitar. And more specifically the kind of anthem and power-chord driven music that was popularized in the late 60's and 70's, what is now considered Classic Rock. But I don't want to use a historical period as my definition! Instead I'm looking for some timeless quality to use in categorizing this 'male' music I'm pursuing.
Can I clarify my definition by considering which bands and songs I consider 'pure'? And does popularity factor into it? Certainly, Led Zeppelin was and is extremely popular. The aforementioned Boston was very popular, though it has since waned. But what about Heart, which is led by the Wilson sisters? Even though they're clearly considered Classic Rock I can't say that I've ever experienced that ethereal-level of connection with their music. So, again, the existing genre of Classic Rock isn't necessarily the definition of 'guy' music I'm searching.
What about grouping by musicians, especially singers? The singers that initially come to mind are hyper-masculine guys like Robert Plant or the singer from Boston. But I have no idea who Boston's singer is! Honestly, I've never had a strong connection to the actual singers. I mean, if I paid attention to lyrics I'd be a Country music fan, right? heh heh. And as much as I associate with the instrumentals I don't think the individual performances are what inspired my sense of connection.
Maybe I'm mistaking Music I Like for music that's male like me? I'm obviously going to connect most with the songs I like most, duh. But that seems like too simplistic and circular an argument. And the singers I actually like for their singing are usually women, like Aretha Franklin (who's R&B) or Tift Merritt (Country).
At last, I think I have a real clue. The music I'm considering Rock is music with a 'testosterone' edge to it -- aggressive, forceful, even sexual. This definition would make Rock 'male' but it wouldn't preclude women from enjoying or creating it since they have testosterone, too. I want to make clear that I don't mean the music has to be angry or violent, though. I don't think it's fair to blame that on testosterone. Again, there are probably doctoral dissertations that describe what constitutes Male, or what effect testosterone has on people, but for my purposes I just mean an energetic, impatient Joy For Life.
So now I have a working definition. Unfortunately it would then follow that Anything Teenage Boys Like is pure Rock, right? Maybe... Most of the stuff that kids listen to today is just noise to me. And a lot of it is 'urban' music with even more overt "Black" influence. Again, not stuff I've ever felt any connection to. My definition seems to be slipping away...
Ultimately, I think that it's not possible to say that Rock is male. Instead, I think that one of the elements of Classic music -- of any genre -- is that sense of testosterone. And that there are probably innumerable other elements that help make the Classics so classic. My favorite bands growing-up were XTC (not so manly) and The Police (manly, hence all the female fans). Rather than a 'male' sense of connection, both bands shared a cleverness, an understated sophistication in their arrangements and instrumentation. But now I really am going to leave it to PhDs to define these additional elements of great music!
First of all I had to figure-out what I meant by Rock Music. I've always heard that Rock was invented in the 50's with the introduction of "Black" musical themes to "White" pop music. But I've never felt any real connection to that early music. So I think it was more of a transitional style, as musicians experimented and slowly evolved a more 'pure' form of this new music. I may piss-off the piano players out there but I think a modern definition of Rock has to have the electric guitar. And more specifically the kind of anthem and power-chord driven music that was popularized in the late 60's and 70's, what is now considered Classic Rock. But I don't want to use a historical period as my definition! Instead I'm looking for some timeless quality to use in categorizing this 'male' music I'm pursuing.
Can I clarify my definition by considering which bands and songs I consider 'pure'? And does popularity factor into it? Certainly, Led Zeppelin was and is extremely popular. The aforementioned Boston was very popular, though it has since waned. But what about Heart, which is led by the Wilson sisters? Even though they're clearly considered Classic Rock I can't say that I've ever experienced that ethereal-level of connection with their music. So, again, the existing genre of Classic Rock isn't necessarily the definition of 'guy' music I'm searching.
What about grouping by musicians, especially singers? The singers that initially come to mind are hyper-masculine guys like Robert Plant or the singer from Boston. But I have no idea who Boston's singer is! Honestly, I've never had a strong connection to the actual singers. I mean, if I paid attention to lyrics I'd be a Country music fan, right? heh heh. And as much as I associate with the instrumentals I don't think the individual performances are what inspired my sense of connection.
Maybe I'm mistaking Music I Like for music that's male like me? I'm obviously going to connect most with the songs I like most, duh. But that seems like too simplistic and circular an argument. And the singers I actually like for their singing are usually women, like Aretha Franklin (who's R&B) or Tift Merritt (Country).
At last, I think I have a real clue. The music I'm considering Rock is music with a 'testosterone' edge to it -- aggressive, forceful, even sexual. This definition would make Rock 'male' but it wouldn't preclude women from enjoying or creating it since they have testosterone, too. I want to make clear that I don't mean the music has to be angry or violent, though. I don't think it's fair to blame that on testosterone. Again, there are probably doctoral dissertations that describe what constitutes Male, or what effect testosterone has on people, but for my purposes I just mean an energetic, impatient Joy For Life.
So now I have a working definition. Unfortunately it would then follow that Anything Teenage Boys Like is pure Rock, right? Maybe... Most of the stuff that kids listen to today is just noise to me. And a lot of it is 'urban' music with even more overt "Black" influence. Again, not stuff I've ever felt any connection to. My definition seems to be slipping away...
Ultimately, I think that it's not possible to say that Rock is male. Instead, I think that one of the elements of Classic music -- of any genre -- is that sense of testosterone. And that there are probably innumerable other elements that help make the Classics so classic. My favorite bands growing-up were XTC (not so manly) and The Police (manly, hence all the female fans). Rather than a 'male' sense of connection, both bands shared a cleverness, an understated sophistication in their arrangements and instrumentation. But now I really am going to leave it to PhDs to define these additional elements of great music!
Sunday, August 10, 2008
Finally a good CD ripper for Linux
I had about given-up on finding a good CD-to-MP3 ripper for Ubuntu. All the 'official' programs had serious shortcomings, e.g. the included Sound Juicer didn't support MP3 out-of-the-box and even after I'd reconfigured it I somehow continued to receive OGG format instead. Very frustrating, especially considering the multiple options available under Windows. I even tried using Musicmatch Jukebox inside a Windows virtual-machine (VirtualBox) but it couldn't read the CD because Ubuntu wouldn't mount it??
One of the early recommendations had been for 'Grip' and I initially dismissed it because it seemed too clumsy to use. Eventually, I received feedback on the Ubuntu forums telling me to check all the settings again because -- clumsy though it was -- it should only be a one-time effort to configure. And they were right!
Basically, Grip seems to default to the absolute lowest-common denominator, i.e., no ID3 tags, no mixed upper/lower-case, and no spaces. But all those feature can be re-enabled and it has a very flexible naming-method with lots of variables to choose from. So, I eventually went back and was able to configure it exactly as I wanted.
I now have it configured to rip my CDs to a folder labeled as
Genre \ Artist - Disc \ Artist - Track# - Song Title
HOW TO INSTALL AND CONFIGURE GRIP ON UBUNTU 'HARDY'
One of the early recommendations had been for 'Grip' and I initially dismissed it because it seemed too clumsy to use. Eventually, I received feedback on the Ubuntu forums telling me to check all the settings again because -- clumsy though it was -- it should only be a one-time effort to configure. And they were right!
Basically, Grip seems to default to the absolute lowest-common denominator, i.e., no ID3 tags, no mixed upper/lower-case, and no spaces. But all those feature can be re-enabled and it has a very flexible naming-method with lots of variables to choose from. So, I eventually went back and was able to configure it exactly as I wanted.
I now have it configured to rip my CDs to a folder labeled as
Genre \ Artist - Disc \ Artist - Track# - Song Title
HOW TO INSTALL AND CONFIGURE GRIP ON UBUNTU 'HARDY'
- go into Synaptic and install 'grip'
- In the 'Grip' software, under Config > CD,
set Device = /dev/scd0 - (optional?) under Rip > Ripper,
set Rip file format = /home/music/%G/%A - %d/%n.wav - under Encode > Encoder
set Encoder = lame
set Encoder Command-line = -h -V 3 -b %b %w %m
set Encode File Format = /home/music/%G/%A - %d/%A - %t - %n.%x - under Encode > Options,
set M3U file format = /home/music/%G/%A - %d/%A - %d.m3u
set Encoding bitrate = 160 - under ID3,
enable both "Add ID3" and "Add ID3v2" - under Config > Misc,
checkbox ('enable') both "Do not lowercase" and "Do not change spaces"
set Characters To Not Strip = ()'-
Tuesday, August 5, 2008
And again, more Ubuntu breakage
I seem to have 'fixed' it now but I wanted to report still more breakage in my Ubuntu 8.04 setup. The Last Straw was when the Fast User Switcher stopped detecting that I was already logged-in and started to reset my login each time. In other words, my wife would switch from my login to hers but then when I'd try to switch back it would crash all my programs.
The solution seems to have been removing the official Nvidia driver?! We are now running the very generic 'nv' (or is it 'nvidia'? who cares...) video driver.
The solution seems to have been removing the official Nvidia driver?! We are now running the very generic 'nv' (or is it 'nvidia'? who cares...) video driver.
Friday, August 1, 2008
Still more Ubuntu breakage
Just to follow-up on yesterday's rant, today has a new symptom. I've barely used the computer this past week so I can't imagine what I might have done to cause it.
I was starting to grow suspicious because my office Ubuntu setup had downloaded two updates while my home PC had not. Just now, under my wife's login, I saw the Update Manager prompting her/us to download. When I switched back to my own login, the prompt went away.
Did I do something to indicate I did not want to receive automatic updates? Or, did this version of Ubuntu just spontaneously stop offering them...
I was starting to grow suspicious because my office Ubuntu setup had downloaded two updates while my home PC had not. Just now, under my wife's login, I saw the Update Manager prompting her/us to download. When I switched back to my own login, the prompt went away.
Did I do something to indicate I did not want to receive automatic updates? Or, did this version of Ubuntu just spontaneously stop offering them...
Thursday, July 31, 2008
Nothing nice to say about new Ubuntu
I take back everything nice I said about Ubuntu! I upgraded from 7.10 to 8.04.1 about a month ago and it's been one breakage after another. I thought I was being smart, waiting for the 8.04.1 "Service Pack" to come out before upgrading. Maybe a clean install would've worked fine but my upgrade has been so bad I'm seriously considering rolling-back to my 7.10 backup.
Since upgrading:
Since upgrading:
- The Alternate CD updater rewrote my repository and update lists, then crashed without any message, leaving my system in an unstable state. After hours of experimenting I finally managed to get the update restarted and through to completion.
- After the update none of my drives were accessible?! Apparently the new version uses a new naming scheme for drives but the update failed to update my 'fstab' configuration file. Fortunately I had another computer handy and was able to track down the required changes.
- The Ubuntu-supported Nvidia video driver no longer works so I've had to switch to the official Nvidia driver. I'd previously learned (the hard way) that you can't trust this driver to work through a kernel upgrade. And, in just the past month, I've already had to uninstall it temporarily, apply a new kernel update, then reinstall it. PITA...
- I had previously installed the now-included User Switcher. Needless to say, the update broke it, so my wife has to use a workaround. I was able to fix it once but now I can't remember how I did it; my latest attempts have failed.
- I had previously installed the latest version of HPLIP (Hewlett-Packard Linux Printing). Ubuntu tried to install an older version alongside it, causing neither to work. I eventually uninstalled both, then reinstalled the newer version.
- I spent DAYS trying to find a way to rip my CDs to MP3. WTF? The built-in 'Sound Juicer' used to work but refused to let me select MP3 anymore. I eventually tracked-down the needed change but... even though MP3 was selected it still did OGG format instead. WTF WTF?! Eventually, I settled for an old program, 'Grip', which does the basic task but fails to record any ID3 info.
- Amidst all the printer mayhem, the VirtualBox printer support is malfunctioning again. I can get it to print but then I have to reboot the machine in order to get HPLIP working again.
- My installed version of Crossover 6.1, which admittedly is not current anymore, stopped working. Fortunately the Ubuntu forums quickly yielded the solution: There was a new security lock-out in Ubuntu 8.04 which had to be partially disabled in order to allow Crossover to work.
- Finally, my DVD drive no longer reads DVD data discs. I think my initial problem was an old flaky drive but even the new drive is having problems. I've managed to find a multi-step manual procedure to get discs to load, but it should all be automatic! In fact, as a test, I booted from a flash drive with generic 8.04.1 and the drive seemed to work fine. So something in my configuration is causing the problem.
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